「遶境共聲」(The Pilgrimage) – theater for new music and multimedia premieres and lectures

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Being a Taiwanese composer yet having received formal music education primarily in the US, I am glad to announce that, after fourteen years of composition life – studies and career combined – and having my music heard mostly in the US and Europe, I will finally debut in Taiwan at the end of this month!

Commissioned by the Innovation Series 2017 (新點子樂展) of National Cultural Center (國家兩廳院 National Theater & Concert Hall, Taipei, Taiwan), speckled deep ∆ Force Majeure (2017) (星塵 ∆ 浩蕩的未知) for 11 solo voices, 2 percussionists, piano, and electronics, my 9-min piece written specifically for the music theater program “The Pilgrimage” (「遶境共聲」)will be performed in three consecutive days at the Black Box of the National Theater in Taipei on September 29th, 30th, and October 1st! I will also be giving a lecture at the 國立臺灣師範大學 National Taiwan Normal University during the festival. (Lecture title : “沉浸、哲思批判、與以個人主體展現文化性”)

“The Pilgrimage” is an one-and-a-half-hour abstract music theater involving full-staged and lighting design, scenography, mobile sound installations made out of anthropological objects from several key industries in the Taiwanese past, segments of freshly composed music by seven Taiwanese female composers of different generations, and a narrative loosely linked to a sequence of events in the Taiwanese history. The program features a team of fantastic artists, composers, and musicians, the full list of which can be viewed via the attached link.

The sonic narrative of the program is made out of music by Chia-Lin Pan, Shih-Hui Chen, Ching-Wen Chao, Yi-Chen Chen, Mei-Fang Lin, Yu-Hui Chang, and me (潘家琳、陳士惠、趙菁文、陳宜貞、林梅芳、林慕萱、張玉慧). The program was conceived by composer Ching-Wen Chao (趙菁文), and the final production is created by the up-and-coming director Ding-Yun Huang (黃鼎云).  The stage and mise-en-scene was designed and produced by the World Stage Design 2017 gold medalist Cheng-Wei Teng (鄧振威).  The performance features conductor Peiyao Wang (王佩瑤), percussion soloist Aiyun Huang (黃皚雲), and an amazing team of vocalists and musicians!  A friend of mine, author Michael Harris Cohen, lends his captivating voice in the reading of my poem “Force Majeure” which will be heard substantially in the electronic part of speckled deep ∆ Force Majeure (2017)!

Innovation Series 2017 also presents “The Hours of Flowers” (Morgenstern Trio and Nina Janssen-Deinzer) and “In the Eyes of the Nomads” (Atlas Ensemble).

For more information and ticket information, see HERE.

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